1 10 2 http://omeka.meson.press/files/original/8/9783957960115-Caronia-Cyborg.pdf 4b84b84974ff193c940a1a5dfd8ef6e9 Book This metadata set allows to add book metadata Title The Cyborg Subtitle A Treatise on the Artificial Man Author/Editor Name of the Authors or Editors to be added in this field: Last Name, First Name Caronia, Antonio Publisher meson press Year Published The year the book has been published to be added in this field 2015 Blurb Born on the pages of science fiction comics in the 1920s and 30s, the cyborg lives in popular imagination. As hero of the cyberpunk epic, in its brief but intense history, the cyborg has followed and anticipated the rapport and conflict between man and machine. In the post-fordist era of digital networked media the cyborg unfolds itself in the dissemination of multiple bodies: on the Internet, in the shift of individual identity, in the new collective aggregation connected by software. It bridges virtuality and concreteness, possibility and necessity. The cyborg thus becomes a field of social conflict, one of the new figures in which the bio-political perspective is embodied. Keywords Cyberculture Postmodernity ISBN Print 978-3-95796-010-8 ISBN PDF 978-3-95796-011-5 ISBN EPUB 978-3-95796-012-2 DOI 10.14619/007 Rights The license or copyright notice is to be added in this field CC-BY-NC-ND 4.0 Language English Type The type of publication is to be added in this field: Usually it will be just Book, Peer-reviewed Book, Edited Book Edited Book Format Add available formats in this field Print PDF EPUB Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Cyborg : A Treatise on the Artificial Man Creator An entity primarily responsible for making the resource Caronia, Antonio Publisher An entity responsible for making the resource available meson press Date A point or period of time associated with an event in the lifecycle of the resource 2015 Description An account of the resource Born on the pages of science fiction comics in the 1920s and 30s, the cyborg lives in popular imagination. As hero of the cyberpunk epic, in its brief but intense history, the cyborg has followed and anticipated the rapport and conflict between man and machine. In the post-fordist era of digital networked media the cyborg unfolds itself in the dissemination of multiple bodies: on the Internet, in the shift of individual identity, in the new collective aggregation connected by software. It bridges virtuality and concreteness, possibility and necessity. The cyborg thus becomes a field of social conflict, one of the new figures in which the bio-political perspective is embodied. Subject The topic of the resource Cyberculture Postmodernity Identifier An unambiguous reference to the resource within a given context ISBN Print: 978-3-95796-010-8 ISBN PDF: 978-3-95796-011-5 ISBN EPUB: 978-3-95796-012-2 DOI: 10.14619/007 Rights Information about rights held in and over the resource CC-BY-NC-ND 4.0 Language A language of the resource English Type The nature or genre of the resource Edited Book Format The file format, physical medium, or dimensions of the resource Print PDF EPUB Cyberculture Postmodernity http://omeka.meson.press/files/original/3/9783957960313-30-Years-Les-Immateriaux.1.pdf bc112693b3d14a3be7d2f3f1f345403b Book This metadata set allows to add book metadata Title 30 Years After Les Immatériaux: Art, Science and Theory Author/Editor Name of the Authors or Editors to be added in this field: Last Name, First Name Broeckmann, Andreas Hui, Yuk Birnbaum, Daniel Boissier, Jean-Louis Dufrêne, Thierry Gallo, Francesca Gere, Charlie Hudek, Antony Lyotard, Jean-François Mackay, Robin Sejten, Anne Elisabeth Stiegler, Bernhard Wallenstein, Sven-Olov Publisher meson press Year Published The year the book has been published to be added in this field 2015 Blurb In 1985, the French philosopher Jean-François Lyotard curated a groundbreaking exhibition called Les Immatériaux at the Centre Pompidou in Paris. The exhibition showed how telecommunication technologies were beginning to impact every aspect of life. At the same time, it was a material demonstration of what Lyotard called the post-modern condition. This book features a previously unpublished report by Jean-François Lyotard on the conception of Les Immatériaux and its relation to postmodernity. Reviewing the historical significance of the exhibition, his text is accompanied by twelve contemporary meditations. The philosophers, art historians, and artists analyse this important moment in the history of media and theory, and reflect on the new material conditions brought about by digital technologies in the last 30 years. Keywords Art Postmodernity ISBN Print 978-3-95796-030-6 ISBN PDF 978-3-95796-031-3 ISBN EPUB 978-3-95796-032-0 DOI 10.14619/002 Rights The license or copyright notice is to be added in this field CC-BY-SA 4.0 Language English Type The type of publication is to be added in this field: Usually it will be just Book, Peer-reviewed Book, Edited Book Edited Book Format Add available formats in this field Print PDF EPUB Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 30 Years After Les Immatériaux: Art, Science and Theory Creator An entity primarily responsible for making the resource Broeckmann, Andreas Hui, Yuk Birnbaum, Daniel Boissier, Jean-Louis Dufrêne, Thierry Gallo, Francesca Gere, Charlie Hudek, Antony Lyotard, Jean-François Mackay, Robin Sejten, Anne Elisabeth Stiegler, Bernhard Wallenstein, Sven-Olov Publisher An entity responsible for making the resource available meson press Date A point or period of time associated with an event in the lifecycle of the resource 2015 Description An account of the resource In 1985, the French philosopher Jean-François Lyotard curated a groundbreaking exhibition called Les Immatériaux at the Centre Pompidou in Paris. The exhibition showed how telecommunication technologies were beginning to impact every aspect of life. At the same time, it was a material demonstration of what Lyotard called the post-modern condition. This book features a previously unpublished report by Jean-François Lyotard on the conception of Les Immatériaux and its relation to postmodernity. Reviewing the historical significance of the exhibition, his text is accompanied by twelve contemporary meditations. The philosophers, art historians, and artists analyse this important moment in the history of media and theory, and reflect on the new material conditions brought about by digital technologies in the last 30 years. Subject The topic of the resource Art Postmodernity Identifier An unambiguous reference to the resource within a given context ISBN Print: 978-3-95796-030-6 ISBN PDF: 978-3-95796-031-3 ISBN EPUB: 978-3-95796-032-0 DOI: 10.14619/002 Rights Information about rights held in and over the resource CC-BY-SA 4.0 Language A language of the resource English Type The nature or genre of the resource Edited Book Format The file format, physical medium, or dimensions of the resource Print PDF EPUB Art Postmodernity